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Afro-American Folklore, as seen in this collection, includes a wide array of orally transmitted traditions of the numerous, sometimes disparate, Negro cultures of the New World. Among these traditions are tales of scoundrels, heroes, rollicking adventures, friendship, and much more: songs, myths, myth-legends, epic-like narrations, and recollections of historical happenings. There are descriptions of cult life, around which many traditions and beliefs flow; of music and dance, which have an integral connection with traditional ways; and of the social scene in places where African and European, or white and black ideas intermingled and became Afro-American. A Treasury of Afro-American Folklore perceives the interconnections of cultural inheritances throughout the Afro-American region and the local divergences as well. Early sections of the book survey the traditions and oral literature of Spanish, French, and English-speaking islands of the Caribbean, and of areas of Central and South America inhabited by people of African descent. There follows an extensive section devoted to the tales, beliefs, recollections, songs, religious epics, and a wide variety of oral creations of blacks in the United States. The Appendixes include a number of African stories and descriptions that point up the impact of African traditions on the cultures of Afro-America. A Treasury of Afro-American Folklore is a remarkable achievement, a major work in a field that has long needed in-depth exploration. It belongs on the shelf of every library, and in the homes of all who have an interest in this exciting aspect of America's cultural history.

Although today Luis Pales Matos is virtually unknown to most American readers, the eminent U.S. poet and writer William Carlos Williams once praised his younger contemporary as "one of the most important poets out of Latin America". Pales Matos was a native, and lifelong resident, of Puerto Rico. Though he was not black, he became one of the Caribbean's leading advocates of poesia negra (black poetry). His landmark 1937 collection Tuntun de Pasa y Griferia: Poesia Afro-Antillana (Tom-Tom of Kinky Hair and Black Things: Afro-Caribbean Poetry) joyously celebrated the African aspects and sources of Puerto Rico's culture and influenced later generations of writers throughout the Western hemisphere. Translator Julio Marzan has selected the best of Pales Matos's poems from throughout his career, among them "Prelude in Boricua", "Danza Negra", "Buccaneer Winds", and "Elegy on the Duke of Marmalade". He also provides a helpful glossary of obscure terms and an introduction that locates Pales Matos in the broader cultural context of his contemporaries and poetic influences -- including such North American poets as Walt Whitman, Edgar Allan Poe, and Vachel Lindsay.

Afro textured hair - Afro textured hair (also casually referred to as "nappy" hair, "kinky" hair or "wooly" hair) is the type of hair found among most people of sub-saharan African descent.

British Afro-Caribbean community - The British Afro-Caribbean community is generally regarded as the most "integrated" non-white ethnic grouping of the United Kingdom.

Afro-American music - Afro-American music is a broad array of musical genres that arose from the synthesis of African, European and Native American music. Afro-Caribbean music is a subset of Afro-American music, as is African American music.

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