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The Complexion of Race: Categories of Difference in Eighteenth-Century British Culture by Roxann Wheeler,

The Complexion of Race: Categories of Difference in Eighteenth-Century British Culture by Roxann Wheeler,
In the 1723 Journal of a Voyage up the Gambia, an English narrator describes the native translators vital to the expedition's success as being "Black as Coal". Such a description of dark skin color was not unusual for eighteenth-century Britons -- but neither was the statement that followed: "here, thro' Custom, (being Christians) they account themselves White Men". The Complexion of Race asks how such categories were possible, when and how such statements came to seem illogical, and how our understanding of the eighteenth century has been distorted by the imposition of nineteenth- and twentieth-century notions of race on an earlier period. Tracing the emergence of skin color as a predominant market of identity in British thought, Wheeler juxtaposes the Enlightenment's scientific speculations on human variety in natural history with accounts in civil histories, travel literature, and fiction. In offering a new interpretation of skin color's role in race, Wheeler considers the range of meanings attached in white, tawny, copper and black complexion. Arguing that cultural factors, such as civility, division of labor, and property ownership, should be given greater emphasis in out understanding of eighteenth-century racial ideology in Britain, Wheeler examines the coexistence of two major systems of racialization. Over the century, an older order, based primarily on the division between Christian and heathen, gives way to a new division based on bodily differences, especially between black and white skin color. This shift is not accomplished during the eighteenth century, which is especially remarkable in fiction. For instance, non-European characters, before the 1770s, were commonly"redeemed" by Christian conversion, British apparel, the consumption of English commodities, and marriage to a European.
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Telling Complexions: The Nineteenth-Century English Novel and the Blush by Mary Ann O'Farrell,
Telling Complexions: The Nineteenth-Century English Novel and the Blush by Mary Ann O'Farrell,
Telling Complexions - PB
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Complexion - Complexion refers to the natural color, texture, and appearance of the skin, especially that of the face. The word is derived from the Late Latin complexi, which initially referred in general terms to a combination of things, and later in physiological terms, to the balance of humors.

North Brazil Current - North Brazil Currents is a term of the complexion of Atlantic Southern equatorial current and the Atlantic equatorial counter current, Guinea current. These stream in opposite directions, and fluctuate in their strength, thus making it very difficult to sail fast in the respective area.

Swarthy - Swarthy is a term sometimes used to describe the complexion of individuals with dark skin pigmentation. The term is generally used informally and can be racially offensive.

Ziryab - Abû al-Hasan Alî Ibn Nâfi' (c. 789-857) nicknamed Ziryâb ("blackbird"), supposedly because of his extremely dark complexion, the clarity of his voice and "the sweetness of his character (Ibn Hayyan)," was a former slave possibly a Zanj of Tanzanian descent, who was one of the most famous gourmands, musicians and singers at the Umayyad court in Córdoba in Spain.



af04complexion

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